I know you guys record together live in the studio. I’ve read that Bob’s goal early on was to capture the live essence of Deep Purple in the studio. For years it was a labor of work - where being on stage is a labor of love. So that’s refreshing.Īnd it’s fun to record. And which we’ve found is so enjoyable. So it’s not unusual to go in the studio for six hours and come out with three backing tracks. We’re gonna move on and we’re gonna keep it exciting and vibrant.” Which is what he’s done. Once we’ve done it three or four times, I promise you, I have all the bits I want. When we started working with Bob Ezrin in 2012 - which is amazing, three records ago now - he just took that out of the equation. So that act of creation is gone and it’s now recreation. Everything you’re doing is something you did before. Which times, you may have gotten it perfect - but it’s no good. The albums that are a problem are where you just can’t get the backing track and you’ve had to play it fifteen or sixteen times. Because you haven’t got bored with playing it. IP: If you can make a record quickly - and that means getting things caught in three or four takes - it’s generally a good record. What kind of an impact does that have on things? It sounds like everything came together pretty quick. (Photo by Mike Coppola/Getty Images) Getty Images with Lars Ulrich of Metallica on stage in the press room at the 31st Annual Rock And Roll Hall Of Fame Induction Ceremony at Barclays Center of Brooklyn on Apin New York City. NEW YORK, NEW YORK - APRIL 08: (L-R) Ian Gillan, Ian Paice, and Roger Glover of Deep Purple pose.
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